The academys dynamic design incorporates a running track through the heart of the school.She lives and works in London; Zaha Hadid Architects (400 people staff) made 950 projects in 44 Countries.
Zaha Hadid Design Series Of ArticulateAnd one of them is attempting to embed a project into its context with a whole series of articulate relationships that draw out features from the surrounding environment to ensure each project has the strongest relationship with its unique context. Architecture internationally is looking for a regional repertoire through all sets of means for example, in China, the design of the Guangzhou Opera House had to play a role in its cultural context and immediate settings and the interplay of the two sculptured volumes on this public arena, gave us an opportunity to propose this scheme in China with a poetic analogy. In Chinese culture, certain analogical thinking makes sense and the idea of pebbles and rocks on the banks of a stream is actually very meaningful for a project located next to the Pearl River. As designers, this is more of a technique for us to articulate the relationship of an object within a landscape. We are not thinking so much of metaphor, but more in terms of analogy the landscape analogy where features of a natural landscape are expressed within the architecture. For example, the smooth transitions between territories and zones within the Opera House design, and smooth transitions between levels. In some regions, greater opportunities for experimentation certainly help to perfect the design and these are the journeys within design that I think are most exciting. ![]() We work very closely with designers and engineers to translate the digital 3D models we create on the computer into a continuous ergonomic form. Definitely, one of the most satisfying things about designing products is the technologies used for design and manufacture the production process between idea and result is so much quicker than for architecture. This faster timeframe certainly leads to greater opportunities for experimentation. Particularly in the design of a furniture piece or a fashion item like a shoe where we had the possibility to create real prototypes very quickly and we can immediately evaluate the design and comfort. Do the analyses for these projects show the users have now new life styles and new requirements. Contemporary society is not standing still and buildings must evolve with new patterns of life to meet the needs of its users. I think what is new in our generation is a greater level of social complexity which should be reflected in its architecture. The complexities and dynamism of contemporary life cannot be cast into the simple orthogonal grids and blocks of the 20 th Century architecture. Therefore, one of the great challenges for contemporary urbanism and architecture is to move beyond the 20 th Century architecture of compartmentalization, towards an architecture for the 21 st Century: an architecture of flexible specialization that addresses complex work and life processes and the much greater fluidity in careers and corporate organizations. ![]() The repetition and separation that defined buildings of the last century has been superseded by buildings that engage, integrate and adapt. These new systems allow the organization and planning of complex life processes which overlap and assimilate our life aspects of work, education, entertainment, habitation and transportation. We recently completed a government operated school for 1200 students in the most deprived area of London. In fact, the neighbourhood has the highest rate of violent crime and gang-related problems in Europe. In one single building, we divided the school into four smaller schools to be less intimidating to younger children and more manageable for the faculty.
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